Annie Smith

AnniePicAnnie Smith has written poetry since the age of nineteen.  In between then and now she was an English literature major at Middlebury, received her masters in art education and taught art to children and adults for eleven years. Changing gears she opened a restaurant in New Haven, Connecticut which expanded to a cooking school and catering business. In 1984 she moved from the east coast where she had lived until then, to Santa Fe, New Mexico. eventually missing  the ocean enough to relocate in Todos Santos, a small pueblo on the Pacific in Baja California Sur,  Mexico. There she began writing full time again and was published in Rattle and several other journals. She has led writing groups and founded a monthly open reading group in Baja. She now lives in Guanajuato and is working on a memoir about the death of her husband and continuing to write poetry.

Contact Annie Smith by e-mail

Two Samples of Annie Smith’s Poetry:

The widow closes up

after the party 
the soon to be widow
 closed up the house by herself thinking of all the parties that they had closed up after.

It was a strange feeling 
after having so many people sharing her space to find herself alone in the room, 
the air still ringing with laughter and forks 
the house still aroused
in baronial, long table mode.

there’s a certain excitement

in being so close to the spot

where death will close in.

What a joke she thinks

death is closing in on all of us

all the time.

death though had staked an immediate claim here in her home

and, as she held up her martini

she saw how determined she was that

life should go on

in the face of this

oh so personal

process of dying.

 

 

Giving Away Cookbooks

For  Scotty                                                                                                                                                                                                                 March, 2012

 

 

When you have cooked together with someone

using the same cookbooks over and over

it seems possible love might remain

in the topography of tomato bits,

the dampness of oil, a fleck of rosemary

caught near the binding.

 

Open one cookbook.

You might find in your mind, counters:

wooden

marble

granite

concrete

a rose in a marmalade jar

green tea mornings,

china town teapots

revisitable realities

soaked in loss

steeped in sensual memory,

old kitchens, longings

belongings and tastings.

 

How can you possibly choose which to let go?

You have already lost so much,

all that tightly wound energy,

the excitement that was him

before that terrible December

and then wasn’t.

Now this,

this sorting                       and

 

you do it.

 

Out of 90 cookbooks

you part with 60.

two thirds of your lives cooking together.

You choose to keep:

Bruce Adel’s pork book,

Indian, Asian, Diane Kennedy’s

latest and last , Mediterrannean,

Spanish,Portuguese.

 

 

 

 

 

You choose not to keep:

books about pate with pictures,

Joy of Cooking,

anything French

 

Done

you sit silent

sensing your fingernails growing.

You feel them in fact, brazen things,

growing as though nothing at all

had happened here..